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James will executive produce through his company, Spring Hill Entertainment, along with his producing partner Maverick Carter and Union. Television, where James and Spring Hill are set up under an overall deal, will produce.He is currently an executive producer on the NBC game show “The Wall” and also executive produces the Starz series “Survivor’s Remorse,” which recently concluded after four seasons. Union currently stars in and executive produces the BET series “Being Mary Jane,” which wrapped up its fourth season in September.But it does rummage around in his usual themes and stereotypes, touching on some and hammering home others.Contrived and well-intentioned, the movie looks at the effects of class conflicts, single parenting, drugs, violence, and gang-bangers on regular folks in the neighborhood, located, here as in other Perry movies, in Atlanta.Certainly, Monty and Julia are brilliant compared to, say, a Norbit and his waify girlfriend.But they don't need to be set off by egregious, offensive, unthoughtful, and tedious villains in order to be brilliant.
But when their grandmother (Juanita Jennings) dies, he brings them home and offers his own queen-sized bed, while he takes the couch.
She says no (er, her firm charges 0 an hour), then shows up in the courtroom anyway.
She has her reasons, namely, her blind date the night before turns out to have a pregnant wife who comes to yell at him with a small boy in the backseat.
Jenny and Joe devise all kinds of terrible ways to exploit the girls: he sends Sierra to school with a joint to sell and hits little China, while Jenny takes bizarre delight in watching her daughters cry when they see her and Joe's crew beat up a man who owes them money.
A disappointingly outsized villain, Jenny fills up what would have been Madea's space, only she's not so strong, entertaining, or even convincing.